The vantage point, set as a cut-off massif, is the culmination of the above-mentioned sequences in phenomenological terms, with a gradual increase in height as the visitor moves to the top and opens vistas with framed views of the environment. Although devoid of more explicit symbolism, the intention is to exploit the immediate content of the memorial character to establish a relationship of intervention to the very spirit of the place, through which it seeks to contextualize it. In the intervention, the symbol of the stylized cross was interpreted vertically, with the idea that the abstract manner was appropriate to the character of the project.